Thoughts on a Decade Passed

Sep 11

From the very moment of their occurrence there was no question that the events of 11 September 2001 were of historic magnitude. But at a remove of ten years it is clear that a decade has been an insufficient span of time to consign them to history. Those acts of violent spectacle have echoed, in the intervening years, through every imaginable sphere of our lives. The two wars which fill our newspapers and television screens are but the most visible extremities of an incalculable iceberg.

Much of the extensive coverage over the last week has taken up the task of summation – dollars spent, lives lost – with, in each case, the implication of an invisible asterisk denoting the toll’s incompleteness. But beyond even the things upon which a number can be placed, there extends a legacy of uncountable losses and distortions to what was briefly thought of as millennial normality.

It is quite amazing that an event could possess the symbolic power to so extensively pervade everyday lives and consciousnesses ten years after its occurrence. On that morning in New York the impact of two airplanes introduced energy enough to collapse the World Trade Centre towers in on themselves. In the decade that has followed the repercussions of that day have not stopped travelling, and it remains a constant task to guard against their propensity to darken and warp. The cost in lives is tragic. The cost in dollars exorbitant. We can ill afford the additional cost to our minds and hearts should we allow those acts of hatred to touch them too.

This has been a day of international remembrance, of paying respects, and taking measure. Looking back has great value, even if meaning remains elusive. But it is of even greater importance that we can look ahead, and that we are able to see a future in which violence has not cowed us nor hatred seduced us. For the remainder of our lives we will each carry the memory, but we also hold the power to decide what it means.

Author Adam
Category Philosophy
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π

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Mar 14
CONCORD DIGITAL STILL CAMERA

In March of last year I posted here about a BBC series called Wonders of the Solar System – how expertly made it was and how inspiring I found its content to be on a Sunday evening. The follow-up show, Wonders of the Universe started a four episode run on BBC2 last Sunday, and was just as informative and awe-inspiring as its predecessor: as an exercise in perspectival adjustment it can’t be beaten as a way to finish your weekend.

This week there’s also a reason to carry a little of infinity’s beauty into your Monday: it’s the fourteenth day of the third month and hence 3.14: Pi Day!

I’m no mathematician, but sometimes I find it’s possible to appreciate the beauty of higher maths just as I can take something from Rothko or Munch whilst the rudiments of painting remain outside of my grasp. I’ve always been awed by the power of maths both to interpret the known and to explore the unknown; to look at the moon on a clear evening and think that our species travelled to it guided by the steady hand of brilliant mathematics is both humbling and empowering.

Maths has a diverse and complex language all its own, and I’ve heard it said on a number of occasions by those who speak that language, that the true practice of mathematics bears little or no resemblance to that which we’re all taught in school. Last year I listened to a Fresh Air interview with musician and doctoral-level mathematician Daniel Snaith in which he compared the two disciplines. Not as you might expect: that he approached the making of music with an understanding of maths’ rigidity, but rather that higher-level maths was, to him, similar to the ebbs and flows of music.

That sort of understanding lies beyond most of us, but I find that there are occasions when it’s possible for laymen to glimpse some of maths’ beautiful order and its power: Pi is one such instance. Now computed to over a trillion decimal places we are told that this number, which lies at the centre of our understanding of circles, will carry on infinitely and never repeat. Phenomena like that–a number less than four that you could never comprehend the full extent of–is something to keep hold of. For me pi is like a kind of amulet, serving as a reminder that no matter how boring my Monday might turn out, there exist rich seams of wonder in the fabric of what comprises it.

So happy Pi Day one and all. Traditions include the baking and or eating of (preferably circular) pies with your choice of filling, so even if you can’t get behind the maths perhaps you can indulge in that. You could also send a Pi Day e-card or buy a Pi t-shirt at places like piday.org

N.B. If you want to be pedantic about European date conventions and say that only the US would write today’s date as 3.14, then make sure you mark your calendar for Pi Approximation Day on 22/7 (22 ÷ 7 = 3.14…)

Author Adam
Category Philosophy
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Progress Report

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Feb 09
Headspace-graph168

So it’s been a couple of weeks: how am I doing with those lofty goals I set myself to spend more time with some of my previously peripheral interests?

I haven’t played all that much chess. Despite carrying Shredder around in my pocket and having it on my laptop I’ve shamefully managed less than a half-dozen games. It’s proven to be difficult to shake the habit of opening a Twitter client and feed reader instead of playing chess, and I think partly that is down to the disparity in the amount of concentration required. I’m going to have to make more of an effort with this one: maybe find an online community or read a chess news site.

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I’ve been slightly better with typography. I subscribed to a couple of type blogs, downloaded the PDFs of issues 1 & 2 of 8 Faces, and, having remembered him from Gary Hustwit’s documentary Helvetica, started digging around for more information on Erik Spiekermann. By virtue of longevity and centrality within the typography community* (as well as sheer force of personality) Spiekermann proved to be an excellent starting point. He’s passionate, engaging, witty and irrepressible as well as being deeply knowledgeable in his field.

I found a highly entertaining and informative six-part interview with Spiekermann on Typography podcast Type Radio, in which he speaks candidly about his history in the industry, and that led me to a recent interview with Gestalten TV.

Spiekermann’s enthusiasm and the passion of his belief in the power of good (and bad) design is admirable and persuasive. It seems that, as with Miles Davis in jazz or Steven Spielberg in film, the most famous name is an ideal place the start for the amateur typophile. His dislike of Helvetica also provides an interesting counterpoint to the direction from which I was approaching typography in general.

~

I’ve also fared pretty well in regard to meditation, thanks in large part to The Guardian hosting a couple of meditation videos and podcasts as part of their Start Happy campaign for the beginning of 2011. The content, provided by London-based Headspace, proved to be an excellent opportunity to re-shape a basic meditation practice. The mindfulness of breathing meditation they set out is very similar to what I used to do semi-regularly some years ago, and with the tools on Headspace’s website I’ve been able to keep to a regimen of sitting little 10 minute sessions each day, with the aim of building those up over time. The content does a good job of demythologising meditation and explaining its purpose from an accessible and grounded secular standpoint. You also get to play with graphs:

Now that I’m done with the guided program I’ll be relying on my own initiative to keep the practice up, but getting back to it has been enjoyable enough that hopefully that won’t be too difficult.

* Eye magazine recently paid tribute to Spiekermann’s influence with a supplement entitled Six Degrees of Erik Spiekermann, showing how almost every type designer in Berlin (and London) had worked with him at some point.

Author Adam
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